We're in Bickfords in Woburn on the computer and "Stormy" by the Classics IV came on about 30 minutes ago, about 10:30 PM.
"Bring back those Sunny days" sings the late Dennis Yost. Listen to the bassline and the feel of the song - it definitely sounds like "Sunny" was the main inspiration.
STORMY - Classics IV
https://www.youtube.com/watch?v=18Sua_QTDs0
Stormy with lyrics - Classics IV
https://www.youtube.com/watch?v=pPNLikPetxg
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"Sunny" by the Classics IV with a Stormy feel
https://www.youtube.com/watch?v=ahc50SIb-uI
Atlanta Rhythm Section sound of the Classics IV
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CD REVIEW
CLASSICS IV disc Mamas & The Papas/Soul Train
Stormy," which means there were some sparks of creativity. "Stormy" is even more influenced by Bobby Hebb's
1966 classic "Sunny," than its predecessor, "Spooky," not only with the
opening line of "You were the sunshine, baby" and the heavy bassline
which surrounds the production, but the keys or vibes directly lifted
from Hebb's
work. That "Stormy" is itself a fascinating fusion of pop and soul,
with its saxophone and descending guitar lines it's more than just
charming, it is a tremendous creation which sets a mood whenever it
comes on the radio.
http://www.allmusic.com/album/mamas-the-papas-soul-train-mw0000868026
SPOOKY, CLASSICS IV
Review by Joe Viglione
Wayne Carson Thompson's "The Letter" which Al Stoffel's stiff liner notes call "hard rock" (it isn't), a laid-back Zombies-esque take on the Hollies/Herman's Hermits' classic "Bus Stop" without Colin Blunstone's genius, and the original tunes which show some songwriting skill, but are hardly memorable. The Strawberry Alarm Clock-inspired
"Book a Trip" emerges as the best of the original bunch, but pales next
to "Spooky." Only four members of the quintet are shown in the back
cover photo, and like Bobby Hebb's Sunny album, there's a woman on the front cover, not the artist. "...A raving James Brown and a mellow Johnny Mathis"
is how Al Stoffel describes "a group sound that concentrates on the
vocals more than instruments and centers on a lead singer who sounds
like a different guy on every song." That's because unless Dennis Yost, who is not even credited on the album jacket or in the liners, is a true chameleon, it is a variety of singers. "You Are My Sunshine" and "The Letter" go for a Mitch Ryder sound, predicting the style future Atlanta Rhythm Section singer Ronnie Hammond would force upon us. Read more here:
http://www.allmusic.com/album/spooky-mw0000841043
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