Legendary Composer speaks in Rockport
Bobby Hebb - The tribute to the genius
Welcome to the news site for Bobby Hebb, an extension of www.BobbyHebbStudio.com. Check here for news updates about the recording artist who wrote and performed "Sunny", who co-wrote "A Natural Man", and who had hits with "Love, Love, Love" and "A Satisfied Mind." Bobby Hebb was one of the most gifted men of the 20th Century. His music is immortal and we will continue to bring the world information about this incredible man's work. Contact Editor Joe Viglione at hebb_project [@] yahoo.com
Saturday, November 22, 2025
Bobby Hebb at Emerson Inn By The Sea
Sunday, August 24, 2025
Enhanced photo of Bobby Hebb with the Remains August 18 1966 on the Beatles show at Suffolk Downs Revere/Boston MA
Enhanced photo of Bobby Hebb with the Remains August 18 1966 on the Beatles show at Suffolk Downs Revere/Boston MA https://joeviglione.substack.com/p/the-beat-article-on-bobby-hebb-and Rare photo of Bobby Hebb at Suffolk Downs August 18, 1966 on the Beatles tour, Barry and the Remains backing Bobby up on an extended version of "Sunny" Thanks to Erik Taros who worked on "Eight Days A Week: The Touring Years", the Beatles documentary directed by Ron Howard and the Peter Jackson Beatles' film GET BACK
https://joeviglione.substack.com/p/the-beat-article-on-bobby-hebb-and the Beat Article on Bobby Hebb and the Beatles
August 24 2025, 59 Years Later We Explore Bobby Hebb's work on the Beatles 1966 tour
The Beatles returned to the Shea Stadium in 1966. As George Martin said in Anthology: “Curiously enough the second Shea Stadium concert had about 11,000 seats unsold. https://www.bbc.co.uk/programmes/articles/5W1LsKYV54xW7gd7D5CyfYj/the-beatles-record-breaking-gig-at-the-shea-stadium So it was a pretty unsettling time. And it was against this background that they said, 'Right, we definitely won't do any more. We are going to have a break and then we are going into the studio to make a record.'” The support acts this time round were equally stellar - The Remains, Bobby Hebb, The Cyrkle and The Ronettes. Sadly, the stadium was demolished in 2009 to make way for a car park.
But it was The Ronettes, The Cyrkle, Bobby Hebb, and The Remains who all can claim the title of the Fab Four’s most faithful supporting acts, claiming 14 appearances each during their 1966 North American US tour.
Who opened for The Beatles the most?
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https://www.amazon.com/Ticket-Ride-Extraordinary-Diary-Beatles/dp/0964645246/ref=sr_1_1#
The lead singer - BARRY TASHIAN - of the opening band - THE REMAINS - on the Beatles' last tour shares his tour journal, as well as never-before-seen photographs of The Beatles, first-hand accounts and much, much more.
Cincinnati and the Beatles / Bobby Hebb 1966 Schedule 18 shows in August of 1966 *Bobby Hebb and the other acts performed in Cincinnati on the 20th, the Beatles played the next day on the 21st due to rain.
The Beatles staged their third and final concert tour of North America in August 1966. It consisted of 18 performances, with 16 shows in United States venues and two in Canada.
*Bobby Hebb and the other acts performed in Cincinnati on the 20th, the Beatles played the next day on the 21st due to rain.
https://en.wikipedia.org/wiki/The_Beatles%27_1966_US_tour
Bobby did perform on the 20th of August in Cincinnati ....the Beatles performed the next day The support acts on The Beatles’ final tour – The Remains, Bobby Hebb, The Cyrkle, and The Ronettes – had all performed the day before, prior to the downpour beginning. The Beatles were the only act to play on this day, after which they flew 341 miles to St Louis, Missouri to perform an evening concert. https://www.beatlesbible.com/1966/08/21/live-crosley-field-cincinnati/
Saturday, August 23, 2025
Bobby Hebb and the Beatles, Shea Stadium 59 Years Ago Today August 23, 1966 / Rare Phil Medley (Beatles Songwriter) and Bobby Hebb co-write COLD COLD NIGHTS LIVE
The Beatles at Shea Stadium 11 cities 16th Show Bobby Hebb and the Beatles The time is 8:10pm. The Remains come on and everyone screams for the Beatles. They sing “Money” and everyone is mad because, I think, it is generally thought of as a Beatles song. All the deejays take turns introducing each other. Then they introduce Bobby Hebb, who sings his hit, “Sunny.” Again, come on all the deejays, this time to introduce the Cyrkle.
https://joeviglione.substack.com/p/august-23-1966-the-beatles-shea-stadium
When they mention Brian Epstein as a manager, everyone screams. Everyone loves the Cyrkle – they are really terrific. They sing their two hits, among others, but play it smart and don’t sing any Beatles songs. After them come the Ronettes. They sing “Shout” (with their other big hits) and we almost boo them off. Finally, Cousin Bruice gets on and says, “Now here’s what you’ve all been waiting for.” And the screams come. The time is 9:17pm. Here they come. First George, then John, Ringo and Paul, in their brown and beige chalk-striped suits with regular shoes, not boots. They begin – so does the roar. At first, I can’t tell what they are singing, then I hear “Rock and Roll music” and I scream. I realize I can’t see Ringo. I go into the big dividing aisle and run down to the center – almost directly above the dugout. Then I slip under a guard and run forward to the front. I still can’t see, so I stand up on the metal railings between the seats. I am leaning on a girl’s head, but I don’t think she feels anything. She just keeps sobbing one word over and over: Ringo. https://joeviglione.substack.com/p/august-23-1966-the-beatles-shea-stadium
Bobby Hebb
John Hyde (keys)
Pete Malaquias (drums)
Mike Lindberg (bass) Bobby Hebb, Phil Medley Music Publisher: Warner Tamerlane "Twist and Shout" is a 1961 song written by Phil Medley and Bert Berns (later credited as "Bert Russell"). It was originally recorded by The Top Notes, but it did not become a hit in the record charts until it was reworked by the Isley Brothers for their album Twist & Shout in 1962. The song has been covered by several artists, including the Beatles, Salt-N-Pepa, and Chaka Demus & Pliers, who experienced chart success with their versions. https://en.wikipedia.org/wiki/Twist_and_Shout
Thursday, January 02, 2025
Alice Clark Alice Clark by Joe Viglione Hard Hard Promises, Don't You Care, Charms of the Arms of Love
https://www.allmusic.com/album/alice-clark-mw0000335469
Alice Clark Review by Joe Viglione
The self-titled 1972 disc from Alice Clark has more than stood the test of time, it is a sublime masterpiece of R&B/pop from the house of Bob Shad, the jazz producer who founded Mainstream Records, the original home for this superior project. Perhaps it isn't a coincidence that Clark's repertoire is exactly the kind of material Janis Joplin would pick up on in her days after Big Brother & the Holding Company, as this was also the first imprint that Joplin & the Holding Company recorded for professionally. Jimmy Webb's "I Keep It Hid" starts things off, one of the singles released from this original package and a nugget from another soul masterpiece, Supremes Arranged and Produced by Jimmy Webb, when Webb oversaw the post-Diana Ross girl group the same year as this release. A rendition of Fred Ebb and John Kander's tune, "Maybe This Time" from the motion picture Cabaret, is included along with three compositions from "Sunny" author Bobby Hebb. The collection of material from Webb, Ebb, and Hebb is actually genius A&R because all of it is a perfect fit. Northern soul fans and R&B critics are aware of this hidden treasure, but the buildup in this review of all the magnificent trappings shouldn't overshadow the fact that Alice Clark delivers the goods from start to finish. Some call it acid jazz, but truth be told, beyond the cult niches of space age bachelor pad and Northern soul -- the base that keeps obscure gems such as this bubbling on a variety of radar screens -- this is some of the best R&B you've probably never heard. The trifecta of Bobby Hebb songs include "Don't You Care" and "Hard, Hard Promises," two titles Hebb has yet to release on his own. The third is an up-tempo version of "The Charms of the Arms of Love" which concluded his 1970 album Love Games. Clark rips apart "It Takes Too Long to Learn to Live Alone" in wonderful fashion with tasteful guitar, chirping horns, and restrained vibraphone. Juanita Fleming's "Never Did I Stop Loving You" is just brilliant as the vocals take off into different dimensions inside and between the unique melody. The final track,"Hey Girl," is not the famous Carole King/Freddy Scott hit -- it's a true find originally covered by Donny Hathaway and written by Hathaway's percussion player, Earl DeRouen. Here Clark changes it to "Hey Boy" in a lively, jazz-heavy jaunt which concludes the Toshiba/EMI version of this dynamite set of recordings that should have made Alice Clark a superstar.











