Saturday, November 22, 2025

Bobby Hebb at Emerson Inn By The Sea

Legendary Composer speaks in Rockport



by Joe Viglione

Songwriter Bobby Hebb gave a talk and performance on
Tuesday, May 13, 2003, at the Emerson Inn by the Sea
in Rockport, Massachusetts. 

This was part of the "KnowYour Neighbor" series promoted by Leslie Wind which over the past two years has brought people of interest
from the Cape Ann area to the hotel.  Bobby "broke all
attendance records" according to Ms. Wind, and the
singer whose song "Sunny" hit #1 in  Cashbox in 1966
gave the audience fascinating bits and pieces of his
life while painting the stories with beautiful piano
lines before going into the full performance of a song.

He opened with Jimmy Van Heusen's "Here's That Rainy
Day" (one could see it was still cloudy outside in
this beautiful room overlooking the Atlantic Ocean)
and followed that with "I'll Do Anything For You" from
his  1970 Love Games album on Epic.  It was a
biographical trip down memory lane a la Kinks'
frontman Ray Davies' evenings of stories and song, but
this was even more special as friends and neighbors
were up close and personal hearing about life on the
road with the "King of the Hillbillies", Roy Acuff, or
how Bobby learned the piano from his parents, both
blind people.  Since it was a couple of days after
Mother's Day Hebb talked about roots, and was specific
that it was not a racial term but that he was talking
about the love we have for our moms and dads, our own
personal roots.

Scheduled to be a forty-five minute event, the
intimate and insightful chat ran from 7 PM to 8:30 in
the function hall outside of the dining room.  

Bobby>talked about touring with The Beatles in 1966,
performing with Sylvia Robinson of "Pillow Talk" fame
-Hebb replaced Mickey Baker in the duo that hit with
"Love Is Strange" so Mickey & Sylvia became
Bobby & Sylvia - and the singer gave deep insight on
the creation of two legendary songs.  He played his
original version of "A Natural Man" then went into the
tempo that won Lou Rawls a Grammy for his rendition of
that Sandy Baron co-write.  Bobby also told the crowd
about the Broadway show he was writing with the late
comedian, Baron, embellishing his stories with runs on
the piano and more songs.  The "Sunny" tale was, of
course, most interesting.  Realizing at the end of the
evening that he had played only portions of "Sunny",

Bobby went back to the piano and played an exquisite
and lengthy version.  It may be the only time he has
ever performed that song on piano in public.  The #25
all time song of BMI, the Performance Rights
Organization, is always performed by Hebb on guitar.

   The "Know Your Neighbor" series has included a
lecture by concentration camp survivor Will Schick, as
well as performances by the trio "John, JOsh &
Caroline" and author of "Avenging Annie" Andy Pratt.

Future dates in the series can be obtained by phoning
the Inn at 1-800-964-5550 or by e mailing Leslie Wind

Sunday, August 24, 2025

Enhanced photo of Bobby Hebb with the Remains August 18 1966 on the Beatles show at Suffolk Downs Revere/Boston MA

 Enhanced photo of Bobby Hebb with the Remains August 18 1966 on the Beatles show at Suffolk Downs Revere/Boston MA https://joeviglione.substack.com/p/the-beat-article-on-bobby-hebb-and Rare photo of Bobby Hebb at Suffolk Downs August 18, 1966 on the Beatles tour, Barry and the Remains backing Bobby up on an extended version of "Sunny" Thanks to Erik Taros who worked on "Eight Days A Week: The Touring Years", the Beatles documentary directed by Ron Howard and the Peter Jackson Beatles' film GET BACK

https://joeviglione.substack.com/p/the-beat-article-on-bobby-hebb-and the Beat Article on Bobby Hebb and the Beatles

August 24 2025, 59 Years Later We Explore Bobby Hebb's work on the Beatles 1966 tour







The Beatles returned to the Shea Stadium in 1966. As George Martin said in Anthology: “Curiously enough the second Shea Stadium concert had about 11,000 seats unsold. https://www.bbc.co.uk/programmes/articles/5W1LsKYV54xW7gd7D5CyfYj/the-beatles-record-breaking-gig-at-the-shea-stadium
So it was a pretty unsettling time. And it was against this background that they said, 'Right, we definitely won't do any more. We are going to have a break and then we are going into the studio to make a record.'” The support acts this time round were equally stellar - The Remains, Bobby Hebb, The Cyrkle and The Ronettes. Sadly, the stadium was demolished in 2009 to make way for a car park.

But it was The Ronettes, The Cyrkle, Bobby Hebb, and The Remains who all can claim the title of the Fab Four’s most faithful supporting acts, claiming 14 appearances each during their 1966 North American US tour.

 

Who opened for The Beatles the most?

But it was The Ronettes, The Cyrkle, Bobby Hebb, and The Remains who all can claim the title of the Fab Four’s most faithful supporting acts, claiming 14 appearances each during their 1966 North American US tour.

Join the Bobby Hebb Facebook PaGE https://www.facebook.com/groups/1760612917508950

 https://www.facebook.com/groups/1760612917508950



https://www.amazon.com/Ticket-Ride-Extraordinary-Diary-Beatles/dp/0964645246/ref=sr_1_1#


The lead singer - BARRY TASHIAN - of the opening band - THE  REMAINS - on the Beatles' last tour shares his tour journal, as well as never-before-seen photographs of The Beatles, first-hand accounts and much, much more.

Cincinnati and the Beatles / Bobby Hebb 1966 Schedule 18 shows in August of 1966 *Bobby Hebb and the other acts performed in Cincinnati on the 20th, the Beatles played the next day on the 21st due to rain.

The Beatles staged their third and final concert tour of North America in August 1966. It consisted of 18 performances, with 16 shows in United States venues and two in Canada.

*Bobby Hebb and the other acts performed in Cincinnati on the 20th, the Beatles played the next day on the 21st due to rain.

https://en.wikipedia.org/wiki/The_Beatles%27_1966_US_tour 



Bobby did perform on the 20th of August in Cincinnati ....the Beatles performed the next day The support acts on The Beatles’ final tour – The Remains, Bobby Hebb, The Cyrkle, and The Ronettes – had all performed the day before, prior to the downpour beginning. The Beatles were the only act to play on this day, after which they flew 341 miles to St Louis, Missouri to perform an evening concert. https://www.beatlesbible.com/1966/08/21/live-crosley-field-cincinnati/

I missed out on the Cincinnati date as it was a rainout and a matinee was held the next day, correcting the info: The Beatles played in Cincinnati on August 21, 1966, at Crosley Field after a previous night's rainout forced the concert to be rescheduled. The noon performance was a matinee makeup show due to the initial August 20th concert being postponed because of a severe thunderstorm and the risk of electrocution from the wet electrical equipment on stage. This performance, along with a subsequent rainy show in St. Louis, contributed to Paul McCartney's decision for The Beatles to stop touring.

Saturday, August 23, 2025

Bobby Hebb and the Beatles, Shea Stadium 59 Years Ago Today August 23, 1966 / Rare Phil Medley (Beatles Songwriter) and Bobby Hebb co-write COLD COLD NIGHTS LIVE

 

The Beatles at Shea Stadium 11 cities 16th Show Bobby Hebb and the Beatles The time is 8:10pm. The Remains come on and everyone screams for the Beatles. They sing “Money” and everyone is mad because, I think, it is generally thought of as a Beatles song. All the deejays take turns introducing each other. Then they introduce Bobby Hebb, who sings his hit, “Sunny.” Again, come on all the deejays, this time to introduce the Cyrkle.


https://joeviglione.substack.com/p/august-23-1966-the-beatles-shea-stadium


When they mention Brian Epstein as a manager, everyone screams. Everyone loves the Cyrkle – they are really terrific. They sing their two hits, among others, but play it smart and don’t sing any Beatles songs. After them come the Ronettes. They sing “Shout” (with their other big hits) and we almost boo them off. Finally, Cousin Bruice gets on and says, “Now here’s what you’ve all been waiting for.” And the screams come. The time is 9:17pm. Here they come. First George, then John, Ringo and Paul, in their brown and beige chalk-striped suits with regular shoes, not boots. They begin – so does the roar. At first, I can’t tell what they are singing, then I hear “Rock and Roll music” and I scream. I realize I can’t see Ringo. I go into the big dividing aisle and run down to the center – almost directly above the dugout. Then I slip under a guard and run forward to the front. I still can’t see, so I stand up on the metal railings between the seats. I am leaning on a girl’s head, but I don’t think she feels anything. She just keeps sobbing one word over and over: Ringo. https://joeviglione.substack.com/p/august-23-1966-the-beatles-shea-stadium

Speaking of the Beatles, Phil Medley and Janis Joplin songwriter Bert Berns wrote "Twist and Shout" recorded by the Isley Bros and the Beatles Phil Medley and Bobby Hebb co-wrote Cold Cold Nights. Here is a rare live version performed on a New Year's Eve https://youtu.be/htZJ6MY7YTY?list=RDhtZJ6MY7YTY
246 views Oct 25, 2010
New Years Eve. Not sure of the year.
Bobby Hebb
John Hyde (keys)
Pete Malaquias (drums)
Mike Lindberg (bass) Bobby HebbPhil Medley Music Publisher: Warner Tamerlane "Twist and Shout" is a 1961 song written by Phil Medley and Bert Berns (later credited as "Bert Russell"). It was originally recorded by The Top Notes, but it did not become a hit in the record charts until it was reworked by the Isley Brothers for their album Twist & Shout in 1962. The song has been covered by several artists, including the Beatles, Salt-N-Pepa, and Chaka Demus & Pliers, who experienced chart success with their versions. https://en.wikipedia.org/wiki/Twist_and_Shout


Philip Medley (April 9, 1916 – October 3, 1997) was an American songwriter, notable for his composition "Twist and Shout", which he wrote along with Bert Russell. The song was made famous when it was covered by both the Isley Brothers and the Beatles. Medley also managed a music group called the Everglades, composed of Jerry Hayward (Lead), Robert Leak (a.k.a. Bobby "T-Boy" Taylor of "Magnetic Touch", father of Robert Taylor Jr.), James McCauthin, David Cox, and Herbie Hancock. Medley composed and produced a song for them entitled "Limbo Lucy" in 1962 on Capitol Records. Medley also wrote "A Million to One" and co-wrote, also with Russell, "If I Didn't Have a Dime" for Gene Pitney.[1] He was also a co-writer of the song "Killer Joe", recorded by many bands including the Rocky Fellers, the Rivieras and the Kingsmen. In 1994, he played guitar for the Jeffersons at the Great Oak Farm Benefit.

Thursday, January 02, 2025

Alice Clark Alice Clark by Joe Viglione Hard Hard Promises, Don't You Care, Charms of the Arms of Love

   https://www.allmusic.com/album/alice-clark-mw0000335469

 

Don't You Care, 47,000 views



over 28,000 views Charms of the Arms of Love



Hard Hard Promises, over 20,000 views

Alice Clark Review by Joe Viglione

The self-titled 1972 disc from Alice Clark has more than stood the test of time, it is a sublime masterpiece of R&B/pop from the house of Bob Shad, the jazz producer who founded Mainstream Records, the original home for this superior project. Perhaps it isn't a coincidence that Clark's repertoire is exactly the kind of material Janis Joplin would pick up on in her days after Big Brother & the Holding Company, as this was also the first imprint that Joplin & the Holding Company recorded for professionally. Jimmy Webb's "I Keep It Hid" starts things off, one of the singles released from this original package and a nugget from another soul masterpiece, Supremes Arranged and Produced by Jimmy Webb, when Webb oversaw the post-Diana Ross girl group the same year as this release. A rendition of Fred Ebb and John Kander's tune, "Maybe This Time" from the motion picture Cabaret, is included along with three compositions from "Sunny" author Bobby Hebb. The collection of material from WebbEbb, and Hebb is actually genius A&R because all of it is a perfect fit. Northern soul fans and R&B critics are aware of this hidden treasure, but the buildup in this review of all the magnificent trappings shouldn't overshadow the fact that Alice Clark delivers the goods from start to finish. Some call it acid jazz, but truth be told, beyond the cult niches of space age bachelor pad and Northern soul -- the base that keeps obscure gems such as this bubbling on a variety of radar screens -- this is some of the best R&B you've probably never heard. The trifecta of Bobby Hebb songs include "Don't You Care" and "Hard, Hard Promises," two titles Hebb has yet to release on his own. The third is an up-tempo version of "The Charms of the Arms of Love" which concluded his 1970 album Love Games. Clark rips apart "It Takes Too Long to Learn to Live Alone" in wonderful fashion with tasteful guitar, chirping horns, and restrained vibraphone. Juanita Fleming's "Never Did I Stop Loving You" is just brilliant as the vocals take off into different dimensions inside and between the unique melody. The final track,"Hey Girl," is not the famous Carole King/Freddy Scott hit -- it's a true find originally covered by Donny Hathaway and written by Hathaway's percussion player, Earl DeRouen. Here Clark changes it to "Hey Boy" in a lively, jazz-heavy jaunt which concludes the Toshiba/EMI version of this dynamite set of recordings that should have made Alice Clark a superstar.